Capturing component video to hdmi

I know I’m holding on to the past and being a stubborn fool when it comes down to it but I can’t help it. I love this camera! I love the quality of the video the camera produces!

Tape-based recording to camcorders are pretty much extinct now and digital capture is the future – using a digital capture system like the Focus FS-H200 or Atomos systems like the Atomos Ninja is one way of extending the lifespan of cameras like this.

The Sony Fx1 is wonderful and the quality from the HD capture is outstanding, especially viewed through component out. However, I’ve been wanting something to capture component to HDMI and I think I’ve found it! The way I’m doing it is through firewire capture at this time, as shown in the video.

So with the older HDV format camcorders like the Sony FX-1, what’s one way to extend the life of a wonderful camera like this? This is my old-school fix for digital media capture and recording. It is not as efficient as the newer technology but it’s a wonder that it does the job from back then.

I’m looking to update to an Atomos or similar system which will be great for the Sony FX-1 and my Sony A6500, hopefully soon.

Shot on Sony A6500:
AVerMedia Component to Hdmi:
Atomos Capture Systems:
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The Letus35 Bokeh Maker – back to the classic

Back when I got the Sony Fx-1, I wanted to get that bokeh effect and get that cinematic feels. I went crazy looking at all sorts of bokeh kits but I wasn’t feeling the DIY aspect and the other systems that were available were pricey. Mind you, the Letus35 is also pricey but was at a fair price and I was able to get this model from the creator of the Letus35.

As I live in Seattle, Washington, I had the chance to communicate with the inventor/creator of the Letus35. He offered to meet with me at his place in Portland, Oregon. I kindly accepted the offer and made it a trip right after work. His family was very nice and it was great meeting them. I actually arrived early to their home and they offered to let me wait for him inside their home. I kindly declined until he came home from working at a major computer corporation. It was only about a 15-minute wait anyway.

The model you see in the video was a prototype model that he showed me and purchased it from him right there. I felt that he was using his engineering degree to improve upon similar lens adapter that was out. The fact that he was also somewhat local to my location also made me want to support his endeavors, not that he needs it as you can tell his company makes great products. (You can check the affiliate link below to see his new creations more suitable to today’s cameras.)

Letus35 has some other cool camera gears you can check out:

You have to remember that this is a lens adapter that goes over your lens like a periscope so there is a lot of loss in light going through the lens. With the Sony Fx-1 you can have a constant f-stop of 2.8 and get a lens to attach to the Letus35 would need to be something that can do 2.8 or more to get enough light for the camera to capture a usable image. The nifty 50 lens at 1.8 f-stops is a great option. This is also one reason that I never really used it as most of my shooting were more news gathering type of capture and not a creation of movies.

Do I regret purchasing this if I’ve never used it? No, it’s a piece of my life experience and a moment of true creativity in the video making creatives that were inspired by such great tools of filmmaking.

The Best HD Camera Still – the Sony HDR-Fx1

,The Sony Fx1 was the best purchase I ever made over a decade ago and it still holds up very well for capturing video. I love this Sony Fx-1 so much that I still try to find ways to utilize it in some way.

I want to say this was one of Sony’s first prosumer camcorder released that was hugely successful. The Sony HVR-Z1U was their pro version with xlr input and option to record in digital vs the HDV tapes utilized at the time. You could use the Sony HVR-MRC1.

The lens on this pro-consumer camera is outstanding and with the iris control, you can set it for low light at f/2.8. The CCD camera captures low light so well I’m impressed with it still at this time.

I have used this in low light concerts and I have shot this in very bright outdoor situations with this FX1 performing like a champ!

Check out my YouTube channel for some of the videos shot with the wonderful Sony Fx-1 – like Crying Nut, Maryhill Festival of Speed, Grand Opening of Tacoma Narrows Bridge, Bam Artsfair – Indian Dance, The Flight, The Flight 2, Aircraft Show at the Puyallup Fairgrounds, World Cyber Games – Seattle, Skagit Valley Tulips, Dumbfounded Kero One Dok2 in Seattle, YB Yoon Do Hyun Band Seattle, Harlem Globetrotters in Washington, Seahawks 2015 Superbowl Tribute, The Zoo Animals, Shooting at the Local Airport, Largest Water Balloon Fight, Klamath California, Novice Motorcycle Race, Teddy Bear Museum, Freedom Fair, Cheonggyecheon River in South Korea, Air France, Dead Baby 16, Drift Seattle, Ban Ki Moon UW Speech, Fanterview – Grammatrain Interview Sounders MV – The Last Sound, SeaFair 2009.

This video shot in 4k with the Sony A6500.

Sony HDR Fx-1:
Sony HVR-Z1U:
Sony digital recorder for Z1U:
Sony A6500:
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Is the Sony A6500 5-Axis Stabilization Good for Video?

The Sony A6500 is truly a tech marvel. What I love about this camera is the picture quality at a high iso use for a somewhat compact camera using a crop sensor (aps-c) format. With the Nikon 800, I would use up to iso 3600 whereas, with the Sony A6500, it is much higher, so much higher!

The other use is the inbuilt stabilization built into the body and on the lens! With the stabilization, you can handhold a shot that would be blurry otherwise. I do not have the most steady hand when it comes to handholding.

The video shows me walking with the Sony A6500 and you can see the camera move up/down and side to side swaying motions. This is more prevalent as I’m walking with a limp due to my back ache. It would be a lot worse and I’m sure you would see a dramatic change in the motion not being as smooth and a higher rate of rolling shutter effect without the stabilization.

To me, I love the sharp focus the camera has maintained while shooting the video, though I wish I could have kept the shot more still in the motion.

Sony A6500:
Sony 18-105 f/4 lens:
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Shoot a duck in 4k with the Sony A6500 – Focus tracking test

I was at Genesse Park by Lake Washington and what better way to spend the day than shooting a duck with the Sony A6500?

I’m still playing around with the Sony A6500 and learning what works best for my way of using this awesome camera.
The quality of the 4k video is outstanding from this compact body of this Sony A6500. In this video, I’m testing the Sony A6500 video focus capability and focus tracking.

The quality is outrageous. I’m loving the Sony A6500 for it. I need more time to play around with the camera but the few times that I’ve played with the video recording has proven to me that this is a camera hard to beat! The focusing on the camera is fast! It is probably one of the fastest focusing cameras I’ve seen.

The camera tracks movement like a pro. The few times I tried focusing the camera on seeing how well it would capture movement is when you see the blur occur for a second in the video. I really didn’t need to press the back focus button (custom setup) to refocus the image.

The sound capture is wonderful on this camera as well. It is at default settings and you can hear the sound capture done supremely.

One thing about capturing video in 4k on the Sony A6500 that bothers me is the fact that the screen goes dim to conserve battery life. As you know, the Sony Alpha cameras suck when it comes to battery life. Hopefully, it’ll all change with future versions as the Sony A9 has proven that they can have longer battery life and a bigger battery for their cameras!

In the next post, I’ll show you that how the Sony 5-axis stabilization system works. Don’t think it’ll be your glidecam or steadytracker but it’ll do a wonderful job with slight movements.
Get the Sony A6500 Here:
Sony A6500:
Sony 18-105 f/4 lens:
My dream camera – Sony A9:
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Pictures from my new Sony A6500!

I’m loving the pictures from my new Sony A6500! I’ve just brought it and it’s truly a wonderful camera. I’m surprised at how well this aps-c camera handles.

This picture of an airplane was just taken today. I edited the picture in Snapshot after transferring the file from the camera to my smartphone via Wi-Fi. Sony’s app sucks but it does the job.

Trans-Canada Air

This shot is a tunnel located at the BPA trail in Federal Way, I’ve used a bit of hdr processing in Snapshot. The shot was handheld.

The Tunnel

This was in the same area on the BPA trail. Handheld on top of rock.

Life giving water

A classic fire engine truck was at Celebration Park on Easter Sunday. A lady photographer was taking picture of the beautiful red fire engine at it’s owner. I took some quick shots of it. The ARW file hard to convert as my old version of Lightroom 4.0 doesn’t support Sony’s ARW raw format. I’ve found a workaround to working with ARW files. I’ll post the YouTube video after this picture.

Sony A6500 Test Shots

Here’s the video on converting the ARW files to work in older versions of Lightroom or Photoshop or any files that might not support ARW format.


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Sony A6500:

Sony 18-105:

How I found a workaround to edit Sony’s ARW Raw format!


How to open and convert Sony ARW raw files for editing.
So you need to edit Sony ARW files, this is what I find works for me after researching Sony ARW format conversion.
I had researched Sony cameras for a bit and I broke down and purchased the Sony A6500! This is a great camera but what I didn’t think about was the raw format that Sony utilizes. I work with an older version of Lightroom and Adobe CS6, their last version before CC subscription based format, so it’s no surprise that I wouldn’t be able to work with any newer formats that might come after CS6.
After much research, I found that Adobe does offer a workaround. Adobe offers a converter to convert any raw files into DNG format. Once converted, you’ll be able to work in Lightroom, Photoshop in the DNG format.
You can download the Adobe DNG Converter from Adobe’s website.
Hope this helps those that were/are in the same situation as I was.
Affiliate Link:
Sony A6500:
Sony 18-105 f/4 lens: